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Ayra Starr’s sophomore album, “The Year I Turned 21,” emerges onto the scene three years after her debut, laden with profound insights into the journey of coming of age. With vibrant narratives that mirror her transition into her early twenties, the budding sensation delivers a colorful array of tales.
Driven by a palpable sense of independence, she unleashes her vivacious spirit across the album’s 14 tracks. In the standout track “Birds Sing of Money,” she fearlessly declares, “I don’t watch my tone / ‘Cause I like how I sound, bitch,” setting the stage with her ancestral poetic praise, oriki, drawn from the Yoruba tribe in West Africa.
Throughout the album, the Beninese-Nigerian songstress seamlessly blends homage to the past with imaginative storytelling rooted firmly in the present. Tracks like “Goodbye,” infused with jazz-inspired vibes and featuring Afropop heavyweight Asake, exude an irresistible charm as she bids farewell to past lovers with an audibly smirking delivery.
Ayra Starr’s commanding presence shines through, whether she’s warding off detractors in “Bad Vibez” or showcasing her allure in “Woman Commando,” alongside heavyweight collaborators like Anitta and Coco Jones.
Despite moments of clarity, an underlying sense of unease pervades the album as Starr grapples with the realities of growing up in the public eye. Tracks like “1942” delve into the competitive nature of success, while “Orun” is fueled by live instrumentals and heartfelt conversations with God. These introspective moments resonate deeply, offering glimpses into Starr’s personal journey while remaining relatable to her audience.
